| Being as I am a shade-tree writer, tinkering with
these essays as with a ’54 Merc on blocks behind the garage, I
find myself grieving for what was once quite a language. English
grows ugly and lapses into deformity. My mail creaks under the
weight of misused pronouns and homeless participles. People seem
to spell by ear: “Your” and “you’re,” “it’s” and
“its” are mixed like salads. The young assert that “me and
him was talking,” and really don’t know better. Perhaps
three people in the United States know what a contraction is.
Many believe that a verb agrees with the object of the nearest
preposition.
Words seem to have become more puzzling than they once were,
even to the purportedly educated. A list of confusions is easily
compiled. “Partly” doesn’t mean “partially;” nor
historic, historical; nor philosophic, philosophical; nor
sensuous, sensual; nor religiosity, religiousness; nor
belligerent, bellicose; nor feminine, effeminate; nor
continuous, continual; nor effete, epicene; “It is important
that you do not smoke” is not the same as “It is important
that you not smoke.” “The new airplane is five times faster
than the old” probably doesn’t mean anything at all; if it
does, it means “The new airplane is six times as fast as the
old.” The word “disingenious” doesn’t exist, though I
hear it from the educated. (“Disingenuous” is meant.)
Are there real writers out there under fifty? I mean
distinctive writers and fine craftsmen, the Mark Twains and
Ambrose Bierces and Hunter Thompsons and Joseph Hellers that
once made the United States a font of genuine if eccentric
talent. They may exist. If so, they aren’t promoted.
We have allowed the schools to fall into the hands of fools
and charlatans, and we pay the price.
A language in a high state of development is a lovely and a
precise instrument, but a fragile one. English at its
peak—which might, very arbitrarily, have been the time of
Chesterton, Galsworthy, C. S. Lewis and Tolkien—was limber,
yet hard-edged and surgical when it needed to be. You could
write a sonnet in it but also a textbook of physics, without
ambiguity. A robust subjunctive gave it a subtlety that is the
purpose of subjunctives, and the curious mixture of Anglo-Saxon
and Grecolatinate vocabulary gave it a complex but flavorful
texture (if textures can be flavorful).
But no longer.
Good English (or French, or Spanish, or Chinese) depends on a
cultivated elite to preserve it. A pride in language is needed
to prevent degradation from seeping upward from the lower
classes, and only careful schooling instills the fine
distinctions that make the difference between the literate and
those who recognize words vaguely, like half-forgotten
relatives.
In England the aristocracy and its schools, as for example
Oxford and Cambridge, maintained linguistic standards; in
ancient Rome, the ruling classes who studied under the great
rhetoricians. In the United States the tradition survived awhile
in a variety of schools. My own experience was of Southern
colleges such as William and Mary and Hampden-Sydney (in which
latter my grandfather was professor of mathematics).
As is usual in civilizations not yet in decline, people at
these institutions cared about language and literature. I
remember that we played a parlor game in which the contestant
called out numbers, as for example 234, 2, 6. He was then read
whatever word was found on page 234, column two, entry six of a
massive unabridged dictionary. He was expected to spell it, and
give its etymology and first and second meanings. People do not,
I think, play that game today.
Today of course we have no elites of any influence, and we
are prescriptively hostile to what is called “elitism.”
Elitism is simply the idea that the better is preferable to the
worse. Why anyone with good sense would be against it escapes
me. The unwashed have discovered that it is easier to ignore the
language than to learn it. Given that the unwashed now run the
schools, that, as we say, is that. I do not know how one repairs
the chain once it is broken.
The unworthy like to argue, almost as if they had some slight
idea what they were talking about, that any language is
acceptable provided that it communicates. The problem with
unschooled and degraded English is precisely that it doesn’t
communicate well. In an America that has embraced the tastes and
standards of the black ghetto, I occasionally see it written
that Ebonics is a language to be respected as much as English.
Oh? It is an unwritten language, which might seem to put it at
some slight disadvantage to a language that has had a rich
literature since at least the fourteenth century. (I’m not
sure that pre-Chaucerian English is quite what I think of as
English.)
But how in Ebonics does one say, “The entropy of a closed
system tends to remain the same or to increase”? I will avoid
parody. A more important question is how do decreasingly
literate professors write textbooks of subjects that have to be
explained clearly? As the distinctions between words are lost,
as the grammar degenerates toward bumperstickerhood, people can
no longer express, and perhaps cannot think, things that once
they could have.
Language does not exist only to convey logical complexities
or to make abstractions crystalline. Words can be as beautiful
as a sunset, a truth probably discovered five thousand years
ago. The difference is that a sunset is accessible to anyone. No
training is needed to love those great gaudy skyscapes that flow
across the heavens like incandescent dunes. They stand on their
own.
To appreciate literature requires intimate familiarity with
the language. Art is freedom exercised within rules. (There.
We’ve settled that.) Just as you cannot tell good
jitterbugging from bad if you do not know the structure of the
dance, so you cannot tell good writing from bad if you don’t
know the language works. Few any longer learn the rules.
Of what provenance is this awful drabness? I can only guess.
We fill the universities with people who have no business being
there. We then accept their values. The country has embraced
almost lasciviously a radical egalitarianism whose pretences can
be maintained only by dragging all to the level of the lowest.
Television bathes us all in the moral and cultural drains from
which there is no escape. Elites can exist only when they can
isolate themselves. They no longer can.
What we have lost we will be a long while in getting back.
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